January-February 2012 – Judith Babcock

As an artist I want to communicate visually the excitement I  feel from color contrasts and the joy of painting. I am inspired  by creating large shapes in a bold format. Painting is an  opportunity for me to translate feelings and impressions onto  canvas.

Blue Mountains

 

Colorado's Best 18"x36"

Fall Memories- 12" x 12"

Five Red Hot Neigh Neighs- 24" x 48"

Ghost Neigh Neighs- 11" x 14"

Pear set- 12" x 12" each

Keystone Meadow- 12" x 16"

Mesa Rhythm 18" x 36"

Red Herd- 18" x 36"

Rocky Mountain Color- 8" x 10"

The Clearing- 30" x 40"

The Horsey Crowd- 12" x 36"

Three Pears 24" x 28"

Season Change II- 18" x 36"

 

 

 

 

 

 

 

 

 

March–April 2012 – Alex Sweetman and Paula Gillen

Alex – My creative work is in the area of studio photography. My research is in visual studies, especially the history and theory of visual media.

Paula – My new work is a developing series of collages inspired by Dada photomontage using the landscape and the portrait as a point of entry. Personal, social and cultural landscapes are shaped into artificial landscapes that offer disjointed viewing pleasure.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

May–June 2012 – Martine Amade


Everything is in balance, every stroke, color or highlight in its place, where it is meant to be. No compromise. It does not matter how long it takes. Doing this all from heart and doing it with joy, this is what is reflected in her art work.

July–August 2012 – Ivy Delon and Robin Ross



In the tradition of the Impressionists, Colorado Artist Ivy Delon’s pastel and oil paintings evoke the ethereal beauty of nature in all its glorious transition.

September–October 2012 – Ana Maria Botero




My goal is to present a series of paintings with vibrant colors, texture and composition that catch the eye, intrigue the mind and capture the observer with emotion and excitement.

November–December 2012 – Albert Dreher

“If I can evoke any emotion from the viewer – whether it’s happiness, depression, nostalgia, or spiritual reflection – I’ve succeeded. With such success comes the belief that each painting carries a little piece of his heart.” – Albert Dreher